Two Variations —for Hazel, 1951-2011 1. Conjunto When I hear your name, Hazel, it is 1994, you and I knee-deep in the Colorado River in Austin, Texas, under the rock hollows at Barton Springs, both of us visitors who met at the library and don’t have swimsuits to take with us over lunchtime, under the July sun so rabid we can’t stand to eat. We talk and talk, your Australian accent telling of loneliness from one continent to the next, brown water billowing over our toes like a thousand sentences to be read and written. At evening, you drive us in your landlords’ Datsun to a cantina where we order tacos and beer, both the same temperature, because we are here for the conjunto music you have never heard before. The Mexican quartet knows everyone sitting at the patched tables except us, so the men in silver-seamed pants flou...
Flying Island is the Online Literary Journal of the Indiana Writers Center, accepting submissions from Midwest residents and those with significant ties to the Midwest.