When an equitation rider on an American Saddlebred trots to the rail for pattern work, the show ring goes soundless. No organ music. No applause. No cheers from horse show moms. No whispers from the spectators in the red bunting-hung stands. No tap-tap-tap of the trainer’s whip on her thigh. It’s so quiet, the other riders, left to wait their turn or—God forbid—not get called to the rail at all, can hear their horses breathe. Or themselves breathe. It’s hard to tell the difference. Focused, they feel every crease in their gloves, see every hair on their horses’ necks, and smell their own sweat. Horse shows have the agricultural ambiance of any barn, but with a party twist. There’s the tang of livestock urine soaked into sawdust, but on top of it, the Aqua Net used on both horse and human manes and the grease of hot dogs rotating endlessly behind the concession stand. The ring, which might also take turns bein...
Flying Island is the Online Literary Journal of the Indiana Writers Center, accepting submissions from Midwest residents and those with significant ties to the Midwest.